Lexus unveiled Liminal Cycles, a multisensory and responsive installation created in collaboration with Bratislava-based research and design studio Crafting Plastics. Presented in partnership with the Institute of Contemporary Art, Miami (ICA Miami), the installation embodies Lexus’ exploration of material innovation, responsive technology and personalization, drawing inspiration from the Lexus LF-ZC (Lexus Future Zero Catalyst) Battery Electric Vehicle (BEV) concept car.
Coinciding with the unveiling of Liminal Cycles, Lexus officially launches its limited-edition capsule collection, featuring 26 collectible design objects by renowned designers Germane Barnes, Michael Bennett (Studio Kër), Suchi Reddy, and Tara Sakhi (T SAKHI) alongside Crafting Plastics. The capsule collection expands on the concepts explored in Liminal Cycles, inviting viewers to consider these objects as manifestations of Lexus’ core ethos of materiality, innovation, performance, sustainability, and technology.
The installation, situated in the ICA Miami sculpture garden, realizes the adaptability and responsive technology that is central to the developing concept of SDVs (Software Defined Vehicles), which envisions software-enabled customization as a key element of personalized luxury design.
Tasked with bringing the SDV concept to life, Crafting Plastics, comprised of co-founders Vlasta Kubušová, Miroslav Král and their team, employed their research practice to create a dynamic, fragmented central “car” sculpture referencing the Lexus LF-ZC at scale. The material foundation of the central sculpture is 3D-printed bioplastic Nuatan – a bio-based material series that is biodegradable, based on 100% renewable resources and leaves no microplastics behind.
Coated with a UV-responsive material skin, the sculpture reacts to environmental stimuli, such as UV radiation and a viewer’s proximity, in real time by changing color and expanding and contracting with breath-like movements. This pulsating mimics the rhythmic movements of natural beings to symbolize the potential harmonies between nature and technology.
Liminal Cycles also features three satellite installations to complement its central sculpture, each incorporating design elements of the LF-ZC to showcase sensory reactions ranging from audio and visual to olfactory. A flower-like sculpture references the shape of the LF-ZC’s steering wheel and entices viewers to interact with its rugged, earthy texture. It responds to human touch with fluctuations in the volume and intensity of the installation’s site-specific sound composition.
A second sculpture reimagines the form of the LF-ZC’s headrest as a section of lounge seating which emanates a Lexus-inspired scent in response to visitors’ interaction.
Anchoring the four-part installation is a wind-activated, lattice-like sculpture that uses UV-reactive bioplastic material to detect shifts in UV radiation, responding to this stimuli with a subtle reveal of the Lexus logo across the delicate structure. Each response discovered throughout the installation is an expression of the expansive possibilities of material innovation and software-enabled reactive design.